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has

Laboratory

ORIENTAL DANCE

by

Natalia Bonanese

Wednesday 19:00 to 20:30

http://www.ziganamamadanza.com/

Natalia Bonanese , teacher and dancer, studied with the best teachers of these disciplines in Italy and abroad and worked for years on the technique of Oriental dance and Roma. His studies point to the construction of performative moments in a language that starting from the traditional technique evolves new forms, whether contemporary and very personal. Its route hugs and involves several other disciplines, meets his dance artists of various kinds, reaching maximum expression on live music, experimenting with new possibilities of cooperation. There are many schools of dance with which he worked and the shows in which she performed in Italy and abroad.

INFO

corsi@cipalessandrino.org

Sunday, February 6 hours 15-17

Stage ORIENTAL DANCE

beginners with

NATALIA BONANESE

An opportunity to study the technique of the sport and learn the basic movements, a possibility of recovery for those who want to join in the weekly courses previously sent. The program the seminar includes: heating, the technique of isolating body parts and use of space. We recommend comfortable clothing

For info and reservations: 393.8619200 - corsi@cipalessandrino.org

http://www.ziganamamadanza.com/

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Oriental Dance Music Theory and Solfeggio

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Laboratory of Music Theory and Solfeggio

by

Alexander Severus

Every Wednesday 15:30

music theory, rhythm and sang along with music theory, form the basis of the route of a musician . This activity will address the key issues for understanding and knowledge of the subject music. The key instrument is the game, the objective will be learning with fun.

Music is fun and the course of musical theory does not want to lose sight of this essential element.

° ° °

basics of music theory

1)
Sound

How is the sound

It features: pitch, duration, timbre and intensity

The human ear

The vocal apparatus

2)
The notation

The staff

Notes and Key

The additional cuts

The Setticlavio

Using the tools in Setticlavio

3)
musical time

Figures musical

relative value and absolute value The metronome

Breaks music

point and the tie

Other signs concerning tempo

signs regarding the tempo of a song

The point

Binding behavior and words

Fractions and music

4)
the musical rhythm

Sounds strong and weak beats with

track movements

Rhythm ternary

The triplets, and quadruplet Duin

Other irregular groups

Syncope and backbeat

Embellishments and abbreviations

Notes real and auxiliary

The appoggiatura

The bruise The biting

The group

The trill

Tremolo Arpeggiator

5)
Reports in height between Notes

L ' interval

The tone and semitone

Alterations

Sounds homophones

scales

Ways

6)
Harmony

system would combine the sounds The agreement

fundamental position and turned

7)
Solfeggio spoken and sung

Solfeggio spoken and sung

° ° °

Alexander Severus , began studying piano at the age of nine years with Maestro Carlo Rufi. In 1984 he began a new course of study (piano jazz), which will last three years, with Master Cosmo Intini. Between 1996 and 2000, he graduated from the University of Music in Voice with Maestro Franco Patimo, Midi and Computer with Maestro Luca Proietti. Composition with Maestro Riccardo Santoboni. In 2003, Otto discovered the accordion in the Netherlands, hue do-sol, he studied with Maestro Pino Pontual. In 2003, the accordion keys, he studied with Maestro Corrado Proietti. In 2007 he founded with Roberto and Mauro Delle Donne, the trio of popular music Roman CONTROCORENTE . Join the musical project called NuIndaco who made his first album "On Munnu" in March 2009. With NuIndaco between 2008 and 2009 performs concerts throughout Italy., Arriving in 2010 at the Auditorium of Rome, in the same year he founded Acquelibere, music project in collaboration with the singer and guitarist Nora Tigges Roberto Pagano. www.myspace.com / controcorente

Info

corsi@cipalessandrino.org

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Electronic Music Lab

by

Valerio Rodelli

The course in electronic music and computer music provides a thorough knowledge of the techniques of synthesis and processing of sound as baggage must for any electronic musician who became deeply involved in composition and music production. Includes the study of the leading software for music production on computers and the detailed analysis of the main synthesizers and samplers on the market today, in order to develop the technical skills necessary for a more complete creative expression.

INFO
corsi@cipalessandrino.org

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Electronic Music Percussion African

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African Percussion

by

Lorenzo break
www.circles.it

(Monday, hours 20-22)

° ° °
PROGRAM
rudiments of music theory and technique of rhythmic pronunciation
djembe and dun dun based

Structure and analysis of the Western North African rhythmic grooves
Four: binary / ternary / shuffle / 16:8
Rhythms
Kass
Thymine

Oulassodon
Dudunbà
Cuban rhythmic elements
rudiments of clave (guaguancò & Rumba) ;

Basics of conga

Rumba Technique fifth

Lorenzo break. percussionist and drum circle facilitator trained in the school of Arthur Hull. He studied African percussion with the masters in Rome and Ruggero Artale Kissima Djaba, in Hamburg with only SIMPORÉ, and Senegal with Pap N'Diaye and Saku Kande. In Rome he continued his musical studies delving into the techniques of Afro-Cuban drums (congas), Reynaldo Hernandez with the teachers and John Leary. He played with Ruggero Artale Afro Percussion Orchestra, Tony Esposito, Karl Potter, MataHaari, Massimo Nunzi and Barabas Band, as well as numerous collaborations from playing I live in the lessons of African dance. Leads Drum Circles in experiential-learning contexts and in clinical and rehabilitation with the non-profit organization "Parkinzone" at ICCRS Neuromed Pozzilli.

INFO
corsi@cipalessandrino.org